How does Lost Media Emulator compare to FilmConvert Nitrate?

FilmConvert focuses on camera-matched film stocks and grain across the major NLEs. Lost Media Emulator covers a wider analog range, CRT, VHS, tube and night vision plus film looks, and adds a standalone Mac app, at a lower one-time price.

Is Lost Media Emulator cheaper than FilmConvert?

Lost Media Emulator starts at $39 one-time; the bundle is $69. FilmConvert Nitrate is around $149 perpetual at the time of writing.

Which has more authentic grain?

FilmConvert is built specifically around camera-matched film grain and is excellent at it. Lost Media Emulator models grain too, as part of looks like Super 8 and Kodachrome, but film-stock accuracy is FilmConvert's specialism.

Can I use either without an editor?

FilmConvert runs as a plugin inside an NLE. Lost Media Emulator also ships a standalone macOS app, so you can apply looks and batch clips without Premiere, Resolve or Final Cut.

Lost Media Emulator vs FilmConvert Nitrate

FilmConvert Nitrate is a well‑priced film‑emulation plugin known for camera‑matched film stocks and grain that's modelled to exposure rather than overlaid. Lost Media Emulator is a one‑time alternative that adds a standalone Mac app and goes beyond film into CRT, VHS, tube and night‑vision looks. For accurate film‑stock grain, FilmConvert stays the stronger pick.

Get every look$69 See it in action

At a glance

	FilmConvert Nitrate	Lost Media Emulator
Pricing	~$149 perpetual, 3 seats (at the time of writing)	a one‑time $39–$69 (no subscription)
Form	Plugin, needs a host NLE	a standalone macOS app and a Premiere Pro / After Effects extension
Focus	Camera‑matched film stocks and grain	CRT, VHS, tube, night vision + film stocks
Looks library	Film stocks + grain	91 looks, 97 controls
Platform	Windows and macOS	macOS 13 Ventura or later, Apple Silicon

Where FilmConvert Nitrate is strong

a camera‑matched film‑stock and grain plugin for the major NLEs.

Camera‑profile‑matched film stocks for accurate colour response
Grain modelled to exposure and colour, not a flat overlay
Perpetual licence at a friendly price (three activation seats)
Cross‑platform across Premiere/AE, Resolve and Final Cut

Where Lost Media Emulator fits

You want tube and tape looks (CRT, VHS, PVM, night vision) as well as film stocks, prefer a standalone Mac app, and want the lowest one‑time entry price.

One engine, two surfaces: a standalone Mac app and a Premiere / After Effects extension, for a one-time price, no subscription.

Choose FilmConvert Nitrate if

You mainly want accurate, camera‑matched film‑stock colour and grain across Windows and macOS, inside your existing NLE. FilmConvert does that cleanly and at a fair perpetual price.

Choose Lost Media Emulator if

You want tube and tape looks (CRT, VHS, PVM, night vision) as well as film stocks, prefer a standalone Mac app, and want the lowest one‑time entry price.

FilmConvert Nitrate vs Lost Media Emulator, answered

How does Lost Media Emulator compare to FilmConvert Nitrate?: FilmConvert focuses on camera‑matched film stocks and grain across the major NLEs. Lost Media Emulator covers a wider analog range, CRT, VHS, tube and night vision plus film looks, and adds a standalone Mac app, at a lower one‑time price.
Is Lost Media Emulator cheaper than FilmConvert?: Lost Media Emulator starts at $39 one‑time; the bundle is $69. FilmConvert Nitrate is around $149 perpetual at the time of writing.
Which has more authentic grain?: FilmConvert is built specifically around camera‑matched film grain and is excellent at it. Lost Media Emulator models grain too, as part of looks like Super 8 and Kodachrome, but film‑stock accuracy is FilmConvert's specialism.
Can I use either without an editor?: FilmConvert runs as a plugin inside an NLE. Lost Media Emulator also ships a standalone macOS app, so you can apply looks and batch clips without Premiere, Resolve or Final Cut.