How does Lost Media Emulator compare to FilmConvert Nitrate?

FilmConvert focuses on camera-matched film stocks and grain across the major NLEs. Lost Media Emulator covers a wider analog range, CRT, VHS, tube and night vision plus film looks, and adds a standalone Mac app, at a lower one-time price.

Is Lost Media Emulator cheaper than FilmConvert?

Lost Media Emulator starts at $39 one-time; the bundle is $69. FilmConvert Nitrate is around $149 perpetual at the time of writing.

Which has more authentic grain?

FilmConvert is built specifically around camera-matched film grain and is excellent at it. Lost Media Emulator models grain too, as part of looks like Super 8 and Kodachrome, but film-stock accuracy is FilmConvert's specialism.

Can I use either without an editor?

FilmConvert runs as a plugin inside an NLE. Lost Media Emulator also ships a standalone macOS app, so you can apply looks and batch clips without Premiere, Resolve or Final Cut.

Lost Media Emulator vs FilmConvert Nitrate

FilmConvert Nitrate is a well‑priced film-emulation plugin known for camera-matched film stocks and grain that's modelled to exposure rather than overlaid. Lost Media Emulator is a one‑time alternative that adds a standalone Mac app and goes beyond film into CRT, VHS, tube and night‑vision looks. For accurate film‑stock grain, FilmConvert stays the stronger pick.

Get every look$69 See it in action

At a glance

	FilmConvert Nitrate	Lost Media Emulator
Pricing	~$149 perpetual, 3 seats (at the time of writing)	a one‑time $39–$69 (no subscription)
Form	Plugin, needs a host NLE	a standalone macOS app and a Premiere Pro / After Effects extension, plus a DaVinci Resolve OFX plugin in beta (bundle only)
Focus	Camera-matched film stocks and grain	CRT, VHS, tube, night vision + film stocks
Looks library	Film stocks + grain	128 looks, 116 controls
Platform	Windows and macOS	macOS 13 Ventura or later, Apple Silicon

Where FilmConvert Nitrate is strong

a camera-matched film‑stock and grain plugin for the major NLEs.

Camera-profile-matched film stocks for accurate colour response
Grain modelled to exposure and colour, not a flat overlay
Perpetual licence at a friendly price (three activation seats)
Cross-platform across Premiere/AE, Resolve and Final Cut

Where Lost Media Emulator fits

You want tube and tape looks (CRT, VHS, PVM, night vision) as well as film stocks, prefer a standalone Mac app, and want the lowest one‑time entry price.

One engine, two surfaces: a standalone Mac app and a Premiere / After Effects extension, for a one-time price, no subscription. The Ultimate Bundle adds a DaVinci Resolve plugin, in beta.

Choose FilmConvert Nitrate if

You mainly want accurate, camera-matched film‑stock colour and grain across Windows and macOS, inside your existing NLE. FilmConvert does that cleanly and at a fair perpetual price.

Choose Lost Media Emulator if

You want tube and tape looks (CRT, VHS, PVM, night vision) as well as film stocks, prefer a standalone Mac app, and want the lowest one‑time entry price.

FilmConvert Nitrate vs Lost Media Emulator, answered

How does Lost Media Emulator compare to FilmConvert Nitrate?: FilmConvert focuses on camera-matched film stocks and grain across the major NLEs. Lost Media Emulator covers a wider analog range, CRT, VHS, tube and night vision plus film looks, and adds a standalone Mac app, at a lower one‑time price.
Is Lost Media Emulator cheaper than FilmConvert?: Lost Media Emulator starts at $39 one‑time; the bundle is $69. FilmConvert Nitrate is around $149 perpetual at the time of writing.
Which has more authentic grain?: FilmConvert is built specifically around camera-matched film grain and is excellent at it. Lost Media Emulator models grain too, as part of looks like Super 8 and Kodachrome, but film‑stock accuracy is FilmConvert's specialism.
Can I use either without an editor?: FilmConvert runs as a plugin inside an NLE. Lost Media Emulator also ships a standalone macOS app, so you can apply looks and batch clips without Premiere, Resolve or Final Cut.