The Kodachrome look
The Kodachrome look recreates Kodak’s famous reversal stock: deep, saturated reds, honest blues, fine grain and a crisp highlight roll‑off. It’s the colour science behind mid‑century magazine photography. Lost Media Emulator reproduces the stock’s response curve so footage gains that rich, archival palette on macOS or in Premiere Pro.
Real output from the engine. Drag to compare. Kodachrome · 1965
What Kodachrome does to colour
Kodachrome was selective, not loud. Reds and earth tones ran deep, blues stayed true, skin held its warmth, and grain stayed tight. The result is vivid but never garish, which is why it aged so well.
- Rich, deep reds and warm earth tones
- Accurate, slightly cool blues in skies and shadows
- Fine, tight grain rather than heavy texture
- Crisp highlight roll‑off with strong contrast
- Flattering, warm skin tones
How to get the Kodachrome look
Apply the Kodachrome preset as a finishing grade. It maps your footage onto the stock’s colour response, so you get the palette without hand‑building curves, then push or restrain the saturation and contrast to fit the shot.
- Mac app: load a clip or photo, choose Kodachrome, tune contrast and saturation, export on macOS 13 Ventura or later, Apple Silicon.
- Premiere Pro / After Effects: apply it on your timeline and keyframe it across a sequence on Premiere Pro / After Effects 2023 or later.
- Layer a little Super 8 grain over it for a shot‑on‑reversal‑film feel.
Kodachrome vs Technicolor
Both are vivid, but they’re different eras and chemistries. Kodachrome is a reversal still/cine stock, rich but natural, fine‑grained. Technicolor is a three‑strip print process, hyper‑saturated and theatrical with inky blacks. Lost Media Emulator ships both so you can pick the right vintage.
- Part of a 91‑look library with 97 controls
- Real‑time GPU preview on Apple Silicon
- Non‑destructive, the original is untouched until export
Kodachrome, answered.
- Can I apply a Kodachrome grade in Premiere Pro?
- Yes. The extension applies the Kodachrome look on your timeline, non‑destructively, with the strength keyframeable across a sequence.
- Is it accurate to the real stock?
- It reproduces Kodachrome’s colour response, deep reds, true blues, fine grain, rather than a generic ‘warm’ filter, so the palette reads as the stock rather than a preset.
- Does it work on video and photos?
- Both. The Mac app grades video and stills and can batch a folder; the extension grades clips inside Premiere Pro and After Effects.
- How much does it cost?
- It ships inside the full 91‑look library, a one‑time purchase from $39, no subscription.