The OLED phone‑screen look
The OLED display look puts a clip or photo behind the screen it would be viewed on: the fine, slightly irregular PenTile subpixel mesh of a modern smartphone OLED panel, visible up close. Lost Media Emulator models a real subpixel arrangement, so the mesh reads as a screen.
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What the OLED display look does to footage
A PenTile OLED panel doesn't use a uniform red‑green‑blue grid; it shares subpixels between neighbouring pixels in an irregular pattern. Lost Media Emulator's display lab models that arrangement, so the mesh it adds has the slightly uneven, diagonal character of a real screen, not a perfectly even dot pattern.
- A fine, irregular subpixel mesh, the PenTile arrangement rather than a uniform RGB stripe
- Subtle moiré where the mesh interacts with fine detail in the source
- A faint diagonal grain to the texture, visible up close rather than at a glance
- Modern panel colour response, slightly cooler whites than a CRT or film source
How to get the OLED display look
You don't lay a dot‑screen texture over the footage. In Lost Media Emulator the OLED display look is a built‑in preset: apply it, dial the mesh visibility, and export. Nothing about your source is baked in until you render.
- Mac app: drop a clip or photo in, choose the OLED display look, tune it, export ProRes or H.264, and batch a whole folder in one pass on macOS 13 Ventura or later, Apple Silicon.
- Premiere Pro / After Effects: add the panel to a clip, pick OLED Display, and keyframe any parameter over time, non-destructively, on Premiere Pro / After Effects 2023 or later.
- Start from the PenTile preset, then push mesh visibility and moiré to match how close to the screen the shot reads.
Why it reads as a real screen, not a filter
A generic dot‑screen overlay sits on your footage and repeats identically everywhere. Lost Media Emulator models a real subpixel layout instead, so the mesh interacts with the picture's own detail and never repeats the same way twice. The same engine drives the macOS app and the Adobe extension.
- Part of a 91‑look library with 108 controls, not a one‑shot preset
- Real‑time GPU preview on Apple Silicon
- Non-destructive, your original is untouched until export
OLED Display, answered.
- Can I use the OLED display effect in Premiere Pro?
- Yes. The Premiere Pro / After Effects extension runs as a panel on your timeline and applies the OLED display look non-destructively, with every parameter keyframeable.
- Is this just a dot‑screen texture?
- No. Instead of laying a uniform dot pattern over your footage, it models a real PenTile subpixel arrangement, so the mesh reads as an actual screen's structure rather than a repeating overlay.
- Does this look like one specific phone?
- It models the PenTile subpixel arrangement common to modern OLED smartphone panels, not a single named device's exact factory specification.
- What footage does it work on?
- Any clip or still. The Mac app handles video and photos and can batch a folder; the extension grades clips on your Premiere Pro or After Effects timeline.
- How much does the OLED display look cost?
- It ships inside the full 91‑look library, a one‑time purchase from $39, no subscription, with free updates inside the major version.
- 14-day money-back guarantee
- One-time purchase — no subscription
- All 91 looks included
- macOS app + Premiere / After Effects