The 2018 OLED PenTile smartphone-screen look
The OLED-PenTile-2018 look recreates footage as seen on a 2018‑era OLED smartphone display: true, inky blacks the panel type made possible, punchy colour tuned to look impressive in a store aisle, and the faint subpixel fringing of PenTile's non-standard pixel arrangement. Lost Media Emulator applies it to any footage on macOS or in Premiere Pro.
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Why 2018 OLED phone screens looked the way they did
OLED panels reach true black by switching pixels off entirely rather than blocking a backlight, and manufacturers pushed colour saturation hard to make displays pop next to LCD competitors on a shelf. PenTile's subpixel arrangement -- sharing subpixels between neighbouring pixels to save power and manufacturing cost -- introduced faint fringing on fine text and high-contrast edges, a specific artefact of that era's flagship phone screens.
- True, inky blacks from OLED's per‑pixel light switching
- Punchy, oversaturated colour tuned for shelf‑appeal comparisons
- Faint subpixel fringing from PenTile's shared-subpixel arrangement
- The specific display signature of 2018‑era flagship OLED smartphones
What the OLED-PenTile-2018 look applies
Lost Media Emulator applies the full OLED-PenTile signature: true blacks, punchy saturation and faint subpixel fringing. It reads as genuine period smartphone-screen viewing rather than a generic colour‑boost filter.
- Black‑level response calibrated to true per‑pixel OLED switching
- Saturation and contrast matched to 2018‑era flagship display tuning
- Subpixel fringing tunable from subtle to a pronounced PenTile artefact
- Runs in real time on macOS or non-destructively in Premiere Pro and After Effects
When to use the OLED-PenTile-2018 look
OLED-PenTile-2018 reads as content viewed on a phone screen rather than a video source's own degradation -- useful for screen‑within‑screen shots. Use it for phone‑screen recreations, social‑media-viewing sequences, and any project referencing the specific display character of late‑2010s flagship smartphones.
- Screen‑within‑screen shots depicting a character viewing a phone
- Social‑media and messaging-app recreation sequences
- Anywhere a story needs the specific display character of a 2018‑era OLED phone rather than a camera-capture look
OLED PenTile 2018, answered.
- How is this different from Drone Jello?
- Drone Jello models rolling-shutter camera distortion during capture. OLED-PenTile-2018 models how footage looks displayed on a specific phone screen after capture -- a viewing artefact, not a recording one.
- Can I use this in Premiere Pro?
- Yes. The extension applies it non-destructively on your timeline with every parameter keyframeable, including subpixel-fringing intensity.
- What footage works best?
- High-contrast footage with fine detail shows the black levels and subpixel fringing most distinctly, though the look applies to any source.
- How much does it cost?
- It ships in the full 91‑look library. Premiere Pro and After Effects extension $39, Mac app $49, bundle $69 (vs $88 separately). One‑time, no subscription, 14‑day guarantee.
- 14-day money-back guarantee
- One-time purchase — no subscription
- All 91 looks included
- macOS app + Premiere / After Effects